The sculptural history of the long 1980s has been dominated by New
British Sculpture and Young British Artists. Arguing for a more
expansive history of British sculpture and its supporting
infrastructures, these twenty-three vivid and enthralling
interviews with artists, curators, dealers and facilitators working
then demonstrate the interconnected networks, diversity of ideas
and practices, energy, imagination and determination that
transformed British art from being marginal to internationally
celebrated. With a substantial introduction, this timely volume
provides valuable new insights into the education, work, careers,
studios, infrastructures and exhibitions of the artists and
facilitators, substantially enlarging our understanding of the era.
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