The work of dramatists such as George Chapman, Thomas Heywood,
Cyril Tourneur, John Webster, Thomas Middleton and John Ford can
profitably be studied as attempts to construct a new moral order in
response to the absence or weakening of the religious sanction. In
this study, first published in 1962, the author examines these
texts in detail, and throws a great deal of light on the plays as
plays. This title will be of interest to students of English
Literature, Drama and Performance.
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