Books > Language & Literature > Literature: history & criticism > Literary studies
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Les Espaces du Livre / Spaces of the Book - Supports et acteurs de la creation texte/image (XXe-XXIe siecles) / Materials and Agents of the Text/Image Creation (20th-21th Centuries) (English, French, Paperback, New edition)
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Les Espaces du Livre / Spaces of the Book - Supports et acteurs de la creation texte/image (XXe-XXIe siecles) / Materials and Agents of the Text/Image Creation (20th-21th Centuries) (English, French, Paperback, New edition)
Series: European Connections, 37
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L'etonnante diversite des possibilites esthetiques offertes par le
livre comme support materiel de la fin du XIXe siecle aux
experimentations les plus contemporaines, est au coeur de la
reflexion proposee dans ce livre. La page, le feuillet et le livre,
l'ecran aussi, debordent le cadre du codex et du livre relie (livre
en eventail, leporello, recueil d'affiches, livre dresse, livre
sculpte, livre eclate, livre numerique, etc.), par l'heterogeneite
de leurs matieres, de leurs formes et de leurs formats. Ils
deviennent des supports actifs dans le processus de conception et
de reception de l'oeuvre. Observer les processus de composition et
de diffusion des oeuvres dans leurs singularites materielles, tel
est l'objet de ce livre. Cette recherche engage a prendre la mesure
du role des differents acteurs dans la conception du livre, non
plus seulement l'ecrivain et l'artiste mais aussi le typographe, le
relieur, l'editeur ou le galeriste, chaque acteur pouvant lui-meme
etre polyvalent. La porosite des frontieres entre les activites,
les metiers, engendre naturellement la porosite entre les genres
litteraires et artistiques. The heart of the reflection in this
book is the diversity of aesthetic possibilities of the book as
material support, from the late nineteenth century to contemporary
experiments. The page, the sheet and the book go well beyond the
codex and the bound book, in the heterogeneity of their materials,
forms and formats (fans, leporellos, poster collections, upright
books, book sculptures, exploded books, electronic books, etc.):
they are active supports in the design and reception process. This
book observes the process of composition and distribution of works
in their material singularities, including the role of the
different stakeholders in the design of the book, not only the
writer and the artist but also the typographer, bookbinder,
publisher or gallery owner, each playing a multiplicity of roles.
Such porous borders between roles and crafts generate porosity
between the literary and artistic genres.
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