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African Modernity and the Philosophy of Culture in the Works of Femi Euba (Hardcover)
Loot Price: R2,460
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African Modernity and the Philosophy of Culture in the Works of Femi Euba (Hardcover)
Series: Black Diasporic Worlds: Origins and Evolutions from New World Slaving
Expected to ship within 12 - 17 working days
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This book is a significant and original contribution to the ongoing
conversation on modernity. It uses the creative and critical works
of Nigerian playwright and novelist Femi Euba to demonstrate the
place and function of African cultures in modernity and makes the
case for the vibrancy of such cultures in the shaping and
constitution of the modern world. In addition to a critique of
Euba's fifty-year artistic career, this book offers an account of
Euba's formative relationship with the 1986 Nobel Prize for
Literature winner Wole Soyinka, during the promising days of the
Nigerian theatre in the immediate post-independence period, and the
effect of this relationship on Euba's artistic choices and
reflections. Euba contributes to our understanding of Africa's
negotiation of modernity in significant ways, especially in his
sensitive reading of Esu, the Yoruba god of fate and chance, as an
artistic consciousness whose historical and ideological mobility
during New World slavery, during Africa's colonial period, and in
the manifestations in the black diaspora today emblematizes the
process we call modernity. By using ritual, myth, and satire as
avenues to the debate on modernity, Euba lays emphasis on the
transformative possibilities at the crossroads of history. His
works engage the psychological interconnections between old gods
and new worlds and the dialogic relationship between tradition and
modernity. Delineating the philosophical and literary debates that
reject an easy division between a stereotypically traditional
Africa and a modern West, the author shows how Euba's plays and
novel engage the entwined and intimate relationships between the
modern and the traditional in contemporary Africa, and thereby she
asserts the global resonance of Euba's African, and specifically
Yoruba, conception of the world. By meticulously collecting,
cataloguing, and critiquing Euba's works, Osagie models a new way
of practicing African literary studies and invites us to glimpse
narrative genius on the continent that she firmly believes African
scholars should both promote and celebrate.
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