This fascinating introduction to the comedy of Menander is the
work of two classical scholars, both of whom have worked
extensively as theatre practitioners. This is the first book to
consider the plays of Menander primarily as performance pieces and
to uncover the dramatic technique of this widely admired comic
writer, whose plays had all but disappeared until the 1950s.
Looking at the theatrical context of Menandrian comedy in its
widest sense, the book includes discussions of recent productions,
the recovery of the texts, the treatment of women and slaves, the
nature of Menander's comedy, and where it may have led within the
European tradition. This book will be of interest to both students
of theatre and classicists.
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