Photographs have shaped public perception and social meaning for
the last one hundred and fifty years or more. This collection
reexamines photographs and their social history, exploring the
ideological, ethical, political, and aesthetic forces that inflect
interpretation. The authors here trace shifting historical
contexts, intentional or accidental interpretive distortions, and
ambiguous and multiple meanings. Collectively, they seek to know
"how" images can be believed, given our awareness of the
uncertainty of meaning. The contributors in this collection believe
the histories they convey are the stories of our lives. To know the
photographs is to know ourselves--with all our ambiguities,
distortions, and complexities on display.
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