In "Performance, Cognitive Theory, and Devotional Culture," Jill
Stevenson uses cognitive theory to explore the layperson's physical
encounter with live religious performances, and to argue that
laypeople's interactions with other devotional media--such as books
and art objects--may also have functioned like performance events.
By revealing the remarkable resonance between cognitive science and
medieval visual theories, Stevenson demonstrates how understanding
medieval culture can enrich the study of performance generally. She
concludes by applying her theories of medieval performance culture
to contemporary religious forms, including creationist museums,
Hell Houses, and megachurches.
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