In little more than twenty years, playwright August Wilson
(1945-2005) completed a ten-play cycle depicting African American
life in the twentieth century, with each play taking place in a
different decade. Two of the plays--"Fences" (1987) and "The Piano
Lesson" (1990)--were awarded the Pulitzer Prize, and seven of them
received the New York Drama Critics' Circle Award for best American
play. Wilson was indisputably the most significant American
playwright to emerge since Edward Albee.
"Conversations with August Wilson" collects a selection of the
many interviews Wilson gave from 1984 to 2004. In the interviews,
the playwright covers at length and in detail his plays and his
background. He comments as well on such subjects as the differences
between African Americans and whites, his call for more black
theater companies, and his belief that African Americans made a
mistake in assimilating themselves into the white mainstream. He
also talks about his major influences, what he calls his "four
B's"--the blues, writers James Baldwin and Amiri Baraka, and
painter Romare Bearden. Wilson also discusses his writing process
and his multiple collaborations with director Lloyd Richards.
Throughout, Wilson is candid, expansive, and provocative,
displaying in these exchanges his willingness to confront
controversial topics just as he did in his plays.
Jackson R. Bryer is professor emeritus of English at the
University of Maryland. Mary C. Hartig teaches English at
Montgomery College and is the coeditor, with Jackson R. Bryer, of
"Facts on File Companion to American Drama."
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