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The Beaten Track - European Tourism, Literature, and the Ways to `Culture', 1800-1918 (Paperback, New)
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The Beaten Track - European Tourism, Literature, and the Ways to `Culture', 1800-1918 (Paperback, New)
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Taking in a wide variety of nineteenth- and early twentieth-century
texts--fiction, poetry, travel writings, guidebooks, periodicals,
and business histories--The Beaten Track attempts to grasp what
modern representations of "culture" owe to the long process of
confrontation with a democratizing and institutionalizing European
tourism. Buzard argues that an exaggerated perception, first
emerging after the Napoleonic Wars, of the Continental tour's
sudden radical openness to virtually "every" level of society took
firm hold on the British and American travelling imagination--a
hold strengthened, over the years, by the visible labors of travel
popularizers such as Thomas Cook and professional guidebook
publishers such as Murray and Baedeker. One consequence--traceable
in sources ranging from Punch and Blackwood's Magazine to writings
by Wordsworth, Dickens, Frances Trollope, Ruskin, Anna Jameson,
Henry James, Forster, and others--was a new set of formulations of
what constitutes "authentic" culture (in a given place) and
"genuine" cultural experience (in a given person). Accounts of the
modern European tour evolved a symbolic economy of practices aimed
at distinguishing the true "Traveller" from the "Vulgar
Tourist"--mainly on the basis of imputed personal merits, not
explicit social privileges. Its various forms of "anti-tourism"
helped to make the European tour an exemplary cultural practice of
modern liberal democracies, appearing at once popularly accessible
and exclusive.
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