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Wave Forms - A Natural Syntax for Rhythmic Languages (Paperback)
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Wave Forms - A Natural Syntax for Rhythmic Languages (Paperback)
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In this daring book, the author proposes that artistic and literary
forms can be understood as modulations of wave forms in the
physical world. By the phrase "natural syntax," he means that
physical nature enters human communication literally by way of a
transmitting wave frequency.
This premise addresses a central question about symbolism in this
century: How are our ideas symbolically related to physical
reality? The author outlines a theory of communication in which
nature is not reached by reference to an object; rather, nature is
part of the message known only tacitly as the wavy carrier of a
sign or signal. One doesn't refer "to" nature, even though one
might be aiming to; one refers "with" nature as carrier vehicle.
The author demonstrates that a natural language of transmission has
an inherent physical syntax of patterned wave forms, which can also
be described as certain "laws of form"--a phrase used by D'Arcy
Thompson, L. L. Whyte, Noam Chomsky, and Stephen Jay Gould. He
describes a syntax inherent in natural languages that derives from
the rhythmic form of a propelling wave. Instead of the "laws" of a
wave's form, however, the author speaks of its elements of rhythmic
composition, because "rythmos" means "wave" in Greek and because
"composition" describes the creative process across the arts. In
pursuing a philosophy of rhythmic composition, the author draws on
cognitive science and semiotics. But he chiefly employs symmetry
theory to describe the forms of art, and especially the patterns of
poetry, as structures built upon the natural syntax of wave forms.
Natural syntax, it turns out, follows a fascinating group of
symmetry transformations that derive from wave forms.
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