This book systematically traces Pound's career from his arrival
in London in 1908 to his departure from Paris in 1924, emphasizing
his activities but also describing his writings and relating them
to his life. Avoiding either vitriolic condemnation or pious
hagiography, Wilhelm examines Pound's strengths, especially his
influence on other artists (including painters and sculptors); he
also deals with Pound's weaknesses, as manifested particularly in
his stormy encounters with people like Amy Lowell.
Unlike recent popular biographies, this work offers the reader
much new material about Pound's life, notably his amatory
adventures with Nancy Cunard and Iseult MacBride Stuart, his
musical relations with Katherine Ruth Heyman and Walter Morse
Rummel, and his friendships with artists such as Francis Picabia,
Henri Gaudier-Brzeska, and Wyndham Lewis. The Paris years from 1921
to 1924 are presented in a novel way through the dynamic interplay
in Pound's life--both as a diary listing important events and as a
series of constellations of artists, musicians, writers, and
lovers.
The book concludes with Pound's eventual disenchantment with
Parisian life, his writing of his first Cantos, and his removal to
Mussolini's Italy, a land that would greatly influence his tragic
later years.
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