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The Honourable Roger North, 1651-1734 - On Life, Morality, Law and Tradition (Hardcover)
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The Honourable Roger North, 1651-1734 - On Life, Morality, Law and Tradition (Hardcover)
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Roger North is known today as a biographer and writer on music,
architecture and estate management. Yet his writings, including
thousands of pages still in manuscript, also contain critical
reflections about intellectual and social changes taking place in
England. This feature is little recognised, because North's
reputation as an author was formed between 1740 and 1890, when
seven of his manuscripts were published in editions that
drastically altered his original texts, and when the reception of
these works was influenced by 'Whig' criticism. Although some of
North's writings were later edited according to more rigorous
standards, many critics still utilise the discredited editions and
continue to repeat 'Whig' stereotypes of North. Eschewing such
stereotypes, Jamie C. Kassler provides the first interpretation of
North's philosophy by retrieving what is consistent in his pattern
of thought and by analysing some of his practices and purposes as a
writer. By these methods, she shows that North, a common lawyer by
profession, combined the moral scepticism of Montaigne with the
legal philosophy of Coke, Selden and Hale. The result was a
sceptical philosophy that accounts for North's critical reflections
on the dogmatism of natural-law doctrine, both in its medieval
intellectualist version and in its voluntarist reformulation that
began with Grotius and was developed by Hobbes, Pufendorf and
Locke. Kassler bases her interpretation on a wide range of North's
writings, even those in which one might least expect to find a
philosophy. In addition, one of his manuscripts, which is edited
here for the first time, includes an exposition of his
jurisprudence, as well as his attempt to bring England's past into
the legal tradition. These features form part of North's broader
argument that language, including the language of law, is the
invention of humans and a representation of their changing history
and habits, an argument that he later extended to musical
'language' in his more finished essay, 'The Musicall Grammarian'
(1728).
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