The novelty of this study lies in its techniques for understanding
the deliberate narrative contradictions and elusive parody in
Goethe's work. Interpretation of the entire Unterhaltungen,
including the Marchen, establishes Goethe's principles of cyclical
composition. By pursuing the elaboration of these principles in the
Wanderjahre--the undependable narrator, multiple perspectives, and
parody of popular eighteenth-century figures--the author interprets
the cultural and social significance of Goethe's most sophisticated
novel.
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