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Phonopoetics - The Making of Early Literary Recordings (Hardcover)
Loot Price: R1,375
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Phonopoetics - The Making of Early Literary Recordings (Hardcover)
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Phonopoetics tells the neglected story of early "talking records"
and their significance for literature, from the 1877 invention of
the phonograph to some of the first recorded performances of
modernist works. The book challenges assumptions of much
contemporary criticism by taking the recorded, oral performance as
its primary object of analysis and by exploring the historically
specific convergences between audio recording technologies, media
formats, generic forms, and the institutions and practices
surrounding the literary. Opening with an argument that the
earliest spoken recordings were a mediated extension of Victorian
reading and elocutionary culture, Jason Camlot explains the
literary significance of these pre-tape era voice artifacts by
analyzing early promotional fantasies about the phonograph as a new
kind of speaker and detailing initiatives to deploy it as a
pedagogical tool to heighten literary experience. Through
historically-grounded interpretations of Dickens impersonators to
recitations of Tennyson to T.S. Eliot's experimental readings of
"The Waste Land" and of a great variety of voices and media in
between, this first critical history of the earliest literary sound
recordings offers an unusual perspective on the transition from the
Victorian to modern periods and sheds new light on our own
digitally mediated relationship to the past.
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