First published in 1990, this book argues that any theory of
language constructs its 'object' by separating 'relevant' from
'irrelevant' phenomena - excluding the latter. This leaves a
'remainder' which consists of the untidy, creative part of how
language is used - the essence of poetry and metaphor. Although
this remainder can never be completely formalised, it must be fully
recognised by any true account of language and thus this book
attempts the first 'theory of the remainder'. As such, whether it
is language or the speaker who speaks is dealt with, leading to an
analysis of how all speakers are 'violently' constrained in their
use of language by social and psychological realties.
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