This new volume continues the tradition of Studies in
Eighteenth-Century Culture of publishing innovative
interdisciplinary scholarship on the interpretive edge. Undertaking
critical investigation of eighteenth-century ideas and practices,
it discusses the possibilities and limitations of print; royal
portraiture, the sentimental novel, and botanical classification
through the categories of gender; the European experience in the
1700s; and change over time in the realms of music, architecture,
and literature from the eighteenth century to the nineteenth.
Contributors and content:
James Swenson, Critique, Progress, Autonomy Eve Tavor Bannet,
Printed Epistolary Manuals and the Rescripting of Manuscript
Culture Madeleine Forell Marshall, Late Eighteenth-Century Public
Reading, with Particular Attention to Sheridan's Strictures on
Reading the Church Service (1789) Daniel Rosenberg, Joseph
Priestley and the Graphic Invention of Modern Time
Jennifer G. Germann, Fecund Fathers and Missing Mothers: Louis
XV, Marie Leszczinska, and the Politics of Royal Parentage in the
1720s Mary McAlpin, Julie's Breasts, Julie's Scars: Physiology and
Character in La Nouvelle HA(c)loAse Ann B. Shteir, Flora primavera
or Flora meretrix? Iconography, Gender, and Science
Karen Melvin, A Potential Saint Thwarted: Religion and the
Politics of Sanctity in Late-Eighteenth Century New Spain Margaret
R. Ewalt, Christianity, Coca, and Commerce in the Peruvian
Mercury
Howard Irving, Haydn and the Politics of the Picturesque Richard
Wittman, The Hut and the Altar: Architectural Origins and the
Public Sphere in Eighteenth-Century France GAran Blix, The Occult
Roots of Realism: Balzac, Mesmer, and Second Sight
General
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