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Sleaze Artists - Cinema at the Margins of Taste, Style, and Politics (Paperback)
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Sleaze Artists - Cinema at the Margins of Taste, Style, and Politics (Paperback)
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Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman.
Examining film culture's ongoing fascination with the low, bad, and
sleazy faces of cinema, Sleaze Artists brings together film
scholars with a shared interest in the questions posed by
disreputable movies and suspect cinema. They explore the ineffable
quality of "sleaze" in relation to a range of issues, including the
production realities of low-budget exploitation pictures and the
ever-shifting terrain of reception and taste.Writing about horror,
exploitation, and sexploitation films, the contributors delve into
topics ranging from the place of the "Aztec horror film" in debates
about Mexican national identity to a cycle of 1960s films exploring
homosexual desire in the military. One contributor charts the
distribution saga of Mario Bava's 1972 film Lisa and the Devil
through the highs and lows of art cinema, fringe television,
grindhouse circuits, and connoisseur DVD markets. Another offers a
new perspective on the work of Doris Wishman, the New York
housewife turned sexploitation director of the 1960s who has become
a cult figure in bad-cinema circles over the past decade. Other
contributors analyze the relation between image and sound in
sexploitation films and Italian horror movies, the advertising
strategies adopted by sexploitation producers during the early
1960s, the relationship between art and trash in Todd Haynes's
oeuvre, and the ways that the Friday the 13th series complicates
the distinction between "trash" and "legitimate" cinema. The volume
closes with an essay on why cinephiles love to hate the movies.
Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara,
Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck
Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg
Taylor
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