Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Performance art
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Responding to Site - The Performance Work of Marilyn Arsem (Paperback)
Loot Price: R863
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Responding to Site - The Performance Work of Marilyn Arsem (Paperback)
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This book focuses on the performance art of Marilyn Arsem, an
internationally acclaimed performance artist known for her
innovative and experimental work. Arsem's work addresses women's
history and myth-making capacities, the potency of site and
geography, the idea of the audience as witnesses and the intimacy
of one-to-one works. One of the most prolific performance artists
working in the United States today, Arsem performs carefully
choreographed durational actions that are developed
site-responsively and range from deceptively simple interventions
to elaborately orchestrated actions. This edited volume seeks to
extend Arsem's legacy beyond the audiences of her live performances
and enter her work into the lexicon of the art world. Accompanied
by 200 images, this book will be of interest to scholars and
students of performance studies, feminist performance, feminist art
history and performance history. It will also contribute to the
history of alternative spaces and galleries, which is only now
being written. I have had the privilege of knowing Marilyn for over
30 years. Her work has given me so many epiphanies about live art,
time-based art practice and durational performance practice. How
and why do you choose a single action and enact it over an extended
period of time? How do you respond to site and create a sacred
meditational zone; a reflexive space about the human condition? And
most importantly, how do you teach future generations about the
importance of living while making art as a spiritual and
philosophical practice? This book is yet another example of Arsem's
legacy. Fundamental, I'd say. Guillermo Gomez-Pena Watching Marilyn
Arsem perform can be a slow, careful, vulnerable and
heart-stoppingly profound experience. To see her is to know better
the complex, intermingling particularities of body, space, time,
being and action. Reading this comprehensive, lucidly written and
deeply insightful book - the first significant publication on
Arsem's practice as a performance artist - will enable new
perspectives on a major artist's work. It also sheds vivid light
upon enduring themes for the critical encounter with art: duration
and doing, materiality and nothingness, truth and representation,
commitment and experiment, togetherness and solitude, experience
and endurance. Dominic Johnson, Queen Mary University of London
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