Pepon Osorio is an internationally recognized artist whose richly
detailed installations challenge the stereotypes and misconceptions
that shape our view of social institutions and human relationships.
Osorio's colorful, often riotous installations are constructed from
found objects and things that he customizes or creates. With a wry
sense of humor, he probes sober topics, including prison life,
domestic violence, AIDS, and poverty.
Osorio's collaborative site-based works develop from his
immersion into a community--residents of urban ethnic
neighborhoods, employees who provide social services, children in
foster care--and the discussions that result. As he addresses
difficult themes such as race and gender, death and survival, and
alienation and belonging, Osorio asks his audience to reconsider
their assumptions and biases. In this book, Jennifer A. Gonzalez
shows that although Osorio draws on his Puerto Rican background and
the immigrant experience for inspiration, his artistic statements
bridge geographical barriers and class divides.
Osorio's installations have been exhibited internationally, and
his work is represented at the Smithsonian American Art Museum in
Washington, D.C., the Museo de Arte de Puerto Rico in San Juan, the
Whitney Museum of American Art in New York, and other major
museums. He has received numerous awards, including a MacArthur
Foundation Fellowship in 1999.
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