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Forms of Dictatorship - Power, Narrative, and Authoritarianism in the Latina/o Novel (Paperback)
Loot Price: R889
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Forms of Dictatorship - Power, Narrative, and Authoritarianism in the Latina/o Novel (Paperback)
Series: Oxford Studies in American Literary History
Expected to ship within 12 - 17 working days
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An intra-ethnic study of Latina/o fiction written in the United
States from the early 1990s to the present, Forms of Dictatorship
examines novels that depict the historical reality of dictatorship
and exploit dictatorship as a literary trope. This literature
constitutes a new sub-genre of Latina/o fiction, which the author
calls the Latina/o dictatorship novel. The book illuminates
Latina/os' central contributions to the literary history of the
dictatorship novel by analyzing how Latina/o writers with national
origin roots in the Caribbean, Mexico, and Central and South
America imaginatively represent authoritarianism. The novels
collectively generate what Harford Vargas terms a "Latina/o
counter-dictatorial imaginary" that positions authoritarianism on a
continuum of domination alongside imperialism, white supremacy,
heteropatriarchy, neoliberalism, and border militarization.
Focusing on novels by writers such as Junot Diaz, Hector Tobar,
Cristina Garcia, Salvador Plascencia, and Francisco Goldman, the
book reveals how Latina/o dictatorship novels foreground more
ubiquitous modes of oppression to indict Latin American
dictatorships, U.S. imperialism, and structural discrimination in
the U.S., as well as repressive hierarchies of power in general.
Harford Vargas simultaneously utilizes formalist analysis to
investigate how Latina/o writers mobilize the genre of the novel
and formal techniques such as footnotes, focalization, emplotment,
and metafiction to depict dictatorial structures and relations. In
building on narrative theories of character, plot, temporality, and
perspective, Harford Vargas explores how the Latina/o dictatorship
novel stages power dynamics. Forms of Dictatorship thus queries the
relationship between different forms of power and the power of
narrative form -- that is, between various instantiations of
repressive power structures and the ways in which different
narrative structures can reproduce and resist repressive power.
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