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All the Art That's Fit to Print (And Some That Wasn't) - Inside The New York Times Op-Ed Page (Paperback) Loot Price: R812
Discovery Miles 8 120
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All the Art That's Fit to Print (And Some That Wasn't) - Inside The New York Times Op-Ed Page (Paperback): Jerelle...

All the Art That's Fit to Print (And Some That Wasn't) - Inside The New York Times Op-Ed Page (Paperback)

Jerelle Kraus

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List price R928 Loot Price R812 Discovery Miles 8 120 | Repayment Terms: R76 pm x 12* You Save R116 (13%)

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"All the Art That's Fit to Print" reveals the true story of the world's first Op-Ed page, a public platform that--in 1970--prefigured the Internet blogosphere. Not only did the "New York Times"'s nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential.

Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the "Times." Her insider anecdotes include the reasons why artist Saul Steinberg hated the "Times," why editor Howell Raines stopped the presses to kill a feature by "Doonesbury"'s Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie "The Killing Fields"--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon.

"All the Art" features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the "Times" refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse.

Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot.

General

Imprint: Columbia University Press
Country of origin: United States
Release date: September 2012
First published: September 2012
Authors: Jerelle Kraus
Dimensions: 279 x 229 x 20mm (L x W x T)
Format: Paperback - Trade
Pages: 280
ISBN-13: 978-0-231-13825-3
Categories: Books > Arts & Architecture > Industrial / commercial art & design > Graphic design
Books > Arts & Architecture > Industrial / commercial art & design > Illustration & commercial art > Illustration
Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Press & journalism
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LSN: 0-231-13825-3
Barcode: 9780231138253

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