Documentary's Expanded Fields: New Media and the
Twenty-First-Century Documentary offers a theoretical mapping of
contemporary non-standard documentary practices enabled by the
proliferation of new digital imaging, lightweight and non-operator
digital cameras, multiscreen and interactive interfaces, and web
2.0 platforms. These emergent practices encompass digital data
visualizations, digital films that experiment with the deliberate
manipulation of photographic records, documentaries based on drone
cameras, GoPros, and virtual reality (VR) interfaces, documentary
installations in the gallery, interactive documentary (i-doc),
citizens' vernacular online videos that document scenes of the
protests such as the Arab Spring, the Hong Kong Protests, and the
Black Lives Matter Movements, and new activist films, videos, and
archiving projects that respond to those political upheavals.
Building on the interdisciplinary framework of documentary studies,
digital media studies, and contemporary art criticism, Jihoon Kim
investigates the ways in which these practices both challenge and
update the aesthetic, epistemological, political, and ethical
assumptions of traditional film-based documentary. Providing a
diverse range of case studies that classify and examine these
practices, the book argues that the new media technologies and the
experiential platforms outside the movie theater, such as the
gallery, the world wide web, and social media services, expand five
horizons of documentary cinema: image, vision, dispositif, archive,
and activism. This reconfiguration of these five horizons
demonstrates that documentary cinema in the age of new media and
platforms, which Kim labels as the 'twenty-first-century
documentary,' dynamically changes its boundaries while also
exploring new experiences of reality and history in times of the
contemporary crises across the globe, including the COVID-19
pandemic.
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