Most producers and directors acknowledge the crucial role of the
screenplay, yet the film script has received little academic
attention until recently, even though the screenplay has been in
existence since the end of the 19th century.
Analysing the Screenplay highlights the screenplay as an
important form in itself, as opposed to merely being the first
stage of the production process. It explores a number of possible
approaches to studying the screenplay, considering the depth and
breadth of the subject area, including:
- the history and early development of the screenplay in the
United States, France and Britain
- the process of screenplay writing and its peculiar relationship
to film production
- the assumption that the screenplay is standardised in form and
certain stories or styles are universal
- the range of writing outside the mainstream, from independent
film to story ideas in Bhutanese film production to animation
- possible critical approaches to analysing the screenplay.
Analysing the Screenplay is a comprehensive anthology, offering
a global selection of contributions from internationally renowned,
specialist authors. Together they provide readers with an insight
into this fascinating yet complex written form.
This anthology will be of interest to undergraduate and
postgraduate students on a range of Film Studies courses,
particularly those on scriptwriting.
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