Taking its cue from recent theories of literary geography and
fiction, "Genealogical Fictions" argues that narratives of familial
decline shape the history of the modern novel, as well as the
novel's relationship to history. Stories of families in crisis,
Jobst Welge argues, reflect the experience of historical and social
change in regions or nations perceived as "peripheral." Though
geographically and temporally diverse, the novels Welge considers
all demonstrate a relation among family and national history,
genealogical succession, and generational experience, along with
social change and modernization.
Welge's wide-ranging comparative study focuses on the novels of
the late nineteenth century, but it also includes detailed analyses
of the pre-Victorian origin of the genealogical-historical novel
and the evolution of similar themes in twentieth-century
literature. Moving through time, he uncovers often-unsuspected
novelistic continuities and international transformations and
echoes, from Maria Edgeworth's "Castle Rackrent," published in
1800, to G. Tomasi di Lampedusa's 1958 book "Il Gattopardo.
"By revealing the "family resemblance" of novels from Great
Britain, Italy, Spain, Portugal, and Brazil, this volume shows how
genealogical narratives take on special significance in contexts of
cultural periphery. Welge links private and public histories, while
simultaneously integrating detailed accounts of various literary
fields across the globe. In combining theories of the novel, recent
discussions of cultural geography, and new approaches to
genealogical narratives, "Genealogical Fictions "addresses a
significant part of European and Latin American literary history in
which texts from different national cultures illuminate each other
in unsuspected ways and reveal the repetition, as well as the
variation, among them. This book should be of interest to students
and scholars of comparative literature, world literature, and the
history and theory of the modern novel.
General
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