This book is a study of the short story, one of the widest
taught genres in English literature, from an innovative
methodological perspective. Both liminality and the short story are
well-researched phenomena, but the combination of both is not
frequent. This book discusses the relevance of the concept of
liminality for the short story genre and for short story cycles,
emphasizing theoretical perspectives, methodological relevance and
applicability.
Liminality as a concept of demarcation and mediation between
different processual stages, spatial complexes, and inner states is
of obvious importance in an age of global mobility, digital
networking, and interethnic transnationality. Over the last decade,
many symposia, exhibitions, art, and publications have been
produced which thematize liminality, covering a wide range of
disciplines including literary, geographical, psychological and
ethnicity studies.
Liminal structuring is an essential aspect of the aesthetic
composition of short stories and the cultural messages they convey.
On account of its very brevity and episodic structure, the generic
liminality of the short story privileges the depiction of
transitional situations and fleeting moments of crisis or decision.
It also addresses the moral transgressions, heterotopic orders, and
forms of ambivalent self-reflection negotiated within the short
story's confines. This innovative collection focuses on both the
liminality "of" the short story and on liminality "in "the short
story.
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