Whereas the medieval minnelied speaks of the unfulfilled wooing of
an unapproachable lady, the modern love song deals with the
chequered relationship of a lover with his beloved. The present
study is the first to enquire into the different literary and
historical factors which led to the minnelied being superseded by
the love song and to the love song's success in the modern age.
Contrary to what was maintained by previous research, these
transition processes can be traced back to the first half of the
14th century.
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