First published in 1977, this book was the first to map extensively
the ideological typography of the Anglo-American tradition of
literary theory. It interrogates, comprehensively and in detail,
the assumptions and categorical development within critical ideas
from I. A. Richards and T. S. Eliot, through John Crowe Ransom and
the New Criticism, to Northrop Frye and Marshall NcLuhan. This
analysis reveals the Anglo-American tradition of literary-cultural
theory is most properly intelligible within the overall field of
social consciousness as an ideology of progressive cultural
rationalization. Against a background of ideological development
since nineteenth-century Romanticism, John Fekete illuminates the
boundaries of literary ideology in relation to the shapes and
changes of modern culture and society.
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