Ellis's book confronts directly the most central issue of Kleist
criticism: the essential nature and meaning of his work. Rather
than provide a general survey of Kleist's writings, Ellis performs
an analysis of six of his most mature works: Der Findling, Die
Marquise von O. . ., Das Erdbeben in Chili, Der Zweitkampf, Michael
Kohlhaas, and Prinz Friedrich von Homburg. Ellis draws some general
conclusions about the uniquely Kleistian character of these six
works which are at sharp variance with previous Kleist criticism.
General
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