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Culture and Propaganda in World War II - Music, Film and the Battle for National Identity (Hardcover)
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Culture and Propaganda in World War II - Music, Film and the Battle for National Identity (Hardcover)
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The wartime period in Britain is now seen as an extremely fertile
period of British creativity in music, film and art. Often, these
projects were funded and supported by the government, who saw its
role as a custodian of British culture, and by extension, of
British values, at a time when those values seemed under great
threat. In the late thirties the Nazi Party had stressed the
superiority of Germanic culture and the promotion of Richard Wagner
and Carl Orff was central to Hitler's cultural program. In Britain,
the War Office under Winston Churchill chose to promote Edward
Elgar and Hubert Parry, but also to appropriate and 'de-Nazify'
Ludwig van Beethoven- whose Fifth Symphony was used extensively in
wartime broadcasts and has since become synonymous with VE Day.
Meanwhile, the work of Ralph Vaughn Williams, whose music was
commissioned by Powell and Pressburger for use in 49th Parallel,
reclaimed a particularly English past stretching back to the
Tudors. While artists such as John Piper, Eric Ravillious and
Evelyn Dunbar produced works specifically commissioned by the state
which were intended to commemorate and glorify Britain, the British
Council and the BBC played an active role in commissioning and
broadcasting their musical equivalents. In film, Humphrey Jenning's
documentaries were designed to further push the wartime agenda,
along with films produced by Ealing Studios. Here, John Morris
assesses the history of this body of work, shedding new light on
the period. A cultural history of music in wartime based on
detailed archival research, Culture and Propaganda in World War II
is essential reading for historians of the period, musicians, film
scholars and propaganda analysts.
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