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Joyce's Finnegans Wake - The Curse of Kabbalah Volume 4 (Paperback)
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Joyce's Finnegans Wake - The Curse of Kabbalah Volume 4 (Paperback)
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This fourth in a series continues this non-academic author's
ground-breaking word by word analysis of James Joyce's Finnegans
Wake. This volume covers all of chapters 1.7, 1.8 and 2.1 with the
intent to explore them as art objects.In chapters 1.7 and 1.8
Aesthetics meets Theosophy meets Metaphysics. Together they share a
common subject-how one part or whole treats another part. These two
chapters move from shun to share, hurt to help, male to female. In
aesthetics, from bad art to good art. In theosophy, from TZTZ god
to ES god. In metaphysics a la Arthur Schopenhauer, from male to
female aspects of Will.Featuring an all male cast, chapter 1.7 is a
stinging criticism of Shem by Shaun-brother against brother.
Chapter 1.7 is intentionally bad art. In aesthetic terms, the whole
of the chapter is at odds with the parts and the parts at odds with
other parts.With an all female cast, chapter 1.8 features a young
washerwoman and old washerwoman washing clothes and talking
together across a river. The main point is that they are working
together, and Old shares knowledge of the eternal feminine with
Young. Sharing replaces shunning. Part helps part. Chapter 1.8 is
intentionally divine art.Chapter 2.1 starts Part II that features
the Earwicker children, the human expression of the death defying
new. As children, they come with the potential for new
possibilities. Initially, however, their realization is limited by
youth, when they are more under instinct-based and parental control
than under self-control.Chapter 2.1 features a children's game
fueled by immature sexual intoxication and loss of self-control.
Joyce presents this come-on game in the rhythms and rhymes of
children's stories, poems and songs, that is in children's art
limited by the purpose to please a young mind.Chapter 2.1 takes the
form of a play. The action in the play is the children's game. It
is a play about play. With drama in the structure, Joyce weaves
Macbeth into the chapter and like Shakespeare's bearded witches,
boils the pot with male and female.Hermetic magic supplies the
metaphors and concepts for chapter 2.1. Hermetic magic is the art
of accessing the celestial force field known as the Astral Light.
In order to have strong magic the magus must be in equilibrium and
must know him or herself. Magus Joyce notes that these same
requirements are necessary for the highest art.
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