The Oriental Obsession begins in the early sixteenth century with
Cardinal Wolsey waiting two years for the delivery of sixty rare
Turkey carpets from Venice, and ends in the age of the great
exhibitions and emporia on both sides of the Atlantic, before and
after 1900, when Islamic objects were seen, appreciated, and bought
by millions of the public. The book is concerned with a subject
which has not been treated before - the history over four centuries
of Islamic artistic traditions and European ideas of Islam as they
affected the visual arts of the west and particularly the
English-speaking peoples. Studies of individual aspects have been
made previously, but this is the first time that an attempt has
been made to consider the subject as a whole. The geographical
purview extends from Moorish Spain in the west to British India in
the east and, besides architecture, the activities that are
involved include painting, ceramics, textiles, metalwork, furniture
and bookcrafts.
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