The Sound Studies Reader blends recent work that
self-consciously describes itself as sound studies along with
earlier and lesser-known scholarship on sound from across the
humanities and social sciences. The Sound Studies Reader touches on
key themes like noise and silence; architecture, acoustics and
space; media and reproducibility; listening, voices and disability;
culture, community, power and difference; and shifts in the form
and meaning of sound across cultures, contexts and centuries.
Writers reflect on crucial historical moments, difficult
definitions, and competing accounts of the role of sound in culture
and everyday life. Across the essays, readers will gain a sense of
the range and history of key debates and discussions in sound
studies.
The collection begins with an introduction to welcome novice
readers to the field and acquaint them the main issues in sound
studies. Individual section introductions give readers further
background on the essays and an extensive up to date bibliography
for further reading in sound studies make this an original and
accessible guide to the field.
Contributors: Rick Altman, Jacques Attali, Roland Barthes, Jody
Berland, Karin Bijsterveld, Barry Blesser, Georgina Born, Michael
Bull, Adriana Cavarero, Michel Chion, Kate Crawford, Richard Cullen
Rath, Jacques Derrida, Mladen Dolar, John Durham Peters, Kodwo
Eshun, Frantz Fanon, Lisa Gitelman, Gerard Goggin, Steve Goodman,
Stefan Helmreich, Michelle Hilmes, Charles Hirschkind, Shuhei
Hosokawa, Don Ihde, Douglas Kahn, Friedrich Kittler, Brandon
LaBelle, James Lastra, Richard Leppert, Michele Martin, Louise
Meintjes, Mara Mills, John Mowitt, R. Murray Schafer, Ana Maria
Ochoa Gautier, John Picker, Benjamin Piekut, Trevor Pinch, Tara
Rodgers, Linda-Ruth Salter, Jacob Smith, Jason Stanyek, Jonathan
Sterne, Emily Thompson, Frank Trocco, Michael Veal, Alexander
Weheliye
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