The public image of genetics research has undergone a remarkable
transformation since the 1950s, from a suspect brand of research
tainted by eugenics to a thriving, well-funded, and "popular" field
of biomedicine. Still, despite enormous scientific advances in DNA
technology and its ability to sustain large areas of the science
industry, social, legal, and popular opinion about genetics remains
highly ambivalent.
In Imagenation, historian of science Jose Van Dijck examines the
role of images and imagination in popular representations fo the
new genetics since the late 1950s. Taking us through a vast range
of media--from general interest magazines to science fiction to
public relations materials--he demonstrates how popular
representations of genetics do not simply reflect the advancement
of genetic technology. Instead, cultural accounts of genetics are
taking on an important role in the very structure of scientific
thinking, with many groups--environmentalists, feminists,
entrepreneurs--influencing this process.
From news stories of DNA strings escaping from our laboratories
to the ongoing debates over bioethics, from James Watson and "The
Double Helix" to the Human Genome Project, Van Dijck Portrays the
"imaginary" tools of genetics as players in a theater of
representation--a multilayered contest in which special interest
groups and professional organizations mobilize images in a heated
debate over the meaning of genetics. Compelling and insightful,
Imagenation unravels this phenomenon, revealing how ideology shapes
the cultural forms through which we make sense of scientific
progress.
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