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America's Best Female Sharpshooter - The Rise and Fall of Lillian Frances Smith (Hardcover)
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America's Best Female Sharpshooter - The Rise and Fall of Lillian Frances Smith (Hardcover)
Series: William F. Cody Series on the History and Culture of the American West
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Today, most remember ""California Girl"" Lillian Frances Smith
(1871-1930) as Annie Oakley's chief competitor in the small world
of the Wild West shows' female shooters. But the two women were
quite different: Oakley's conservative ""prairie beauty"" persona
clashed with Smith's tendency to wear flashy clothes and keep
company with the cowboys and American Indians she performed with.
This lively first biography chronicles the Wild West showbiz life
that Smith led and explores the talents that made her a star.
Drawing on family records, press accounts, interviews, and numerous
other sources, historian Julia Bricklin peels away the myths that
enshroud Smith's fifty-year career. Known as ""The California
Huntress"" before she was ten years old, Smith was a professional
sharpshooter by the time she reached her teens, shooting targets
from the back of a galloping horse in Buffalo Bill Cody's Wild
West. Not only did Cody offer $10,000 to anyone who could beat her,
but he gave her top billing, setting the stage for her rivalry with
Annie Oakley. Being the best female sharpshooter in the United
States was not enough, however, to differentiate Lillian Smith from
Oakley and a growing number of ladylike cowgirls. So Smith
reinvented herself as ""Princess Wenona,"" a Sioux with a violent
and romantic past. Performing with Cody and other showmen such as
Pawnee Bill and the Miller brothers, Smith led a tumultuous private
life, eventually taking up the shield of a forged Indian persona.
The morals of the time encouraged public criticism of Smith's lack
of Victorian femininity, and the press's tendency to play up her
rivalry with Oakley eventually overshadowed Smith's own legacy. In
the end, as author Julia Bricklin shows, Smith cared more about
living her life on her own terms than about her public image.
Unlike her competitors who shot to make a living, Lillian Smith
lived to shoot.
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