Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Addiction and British Visual Culture, 1751-1919 - Wasted Looks (Paperback)
Loot Price: R1,596
Discovery Miles 15 960
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Addiction and British Visual Culture, 1751-1919 - Wasted Looks (Paperback)
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Highly innovative and long overdue, this study analyzes the visual
culture of addiction produced in Britain during the long nineteenth
century. The book examines well-known images such as William
Hogarth's Gin Lane (1751), as well as lesser-known artworks
including Alfred Priest's painting Cocaine (1919), in order to
demonstrate how visual culture was both informed by, and
contributed to, discourses of addiction in the period between 1751
and 1919. Through her analysis of more than 30 images, Julia Skelly
deconstructs beliefs and stereotypes related to addicted
individuals that remain entrenched in the popular imagination
today. Drawing upon both feminist and queer methodologies, as well
as upon extensive archival research, Addiction and British Visual
Culture, 1751-1919 investigates and problematizes the long-held
belief that addiction is legible from the body, thus positioning
visual images as unreliable sources in attempts to identify
alcoholics and drug addicts. Examining paintings, graphic satire,
photographs, advertisements and architectural sites, Skelly
explores such issues as ongoing anxieties about maternal drinking;
the punishment and confinement of addicted individuals; the
mobility of female alcoholics through the streets and spaces of
nineteenth-century London; and soldiers' use of addictive
substances such as cocaine and tobacco to cope with traumatic
memories following the First World War.
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