Stories centering on the lovelorn ghost (Mae Nak) and the
magical monk (Somdet To) are central to Thai Buddhism. Historically
important and emotionally resonant, these characters appeal to
every class of follower. Metaphorically and rhetorically powerful,
they invite constant reimagining across time.
Focusing on representations of the ghost and monk from the late
eighteenth century to the present, Justin Thomas McDaniel builds a
case for interpreting modern Thai Buddhist practice through the
movements of these transformative figures. He follows embodiments
of the ghost and monk in a variety of genres and media, including
biography, film, television, drama, ritual, art, liturgy, and the
Internet. Sourcing nuns, monks, laypeople, and royalty, he shows
how relations with these figures have been instrumental in crafting
histories and modernities. McDaniel is especially interested in
local conceptions of being "Buddhist" and the formation and
transmission of such identities across different venues and
technologies.
Establishing an individual's "religious repertoire" as a valid
category of study, McDaniel explores the performance of Buddhist
thought and ritual through practices of magic, prognostication,
image production, sacred protection, and deity and ghost worship,
and clarifies the meaning of multiple cultural configurations.
Listening to popular Thai Buddhist ghost stories, visiting crowded
shrines and temples, he finds concepts of attachment, love, wealth,
beauty, entertainment, graciousness, security, and nationalism all
spring from engagement with the ghost and the monk and are as vital
to the making of Thai Buddhism as venerating the Buddha
himself.
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