Conventional wisdom holds that Judaism is indifferent or even
suspiciously hostile to the visual arts due to the Second
Commandment's prohibition on creating "graven images," the dictates
of monotheism, and historical happenstance. This intellectual
history of medieval and modern Jewish attitudes toward art and
representation overturns the modern assumption of Jewish
iconophobia that denies to Jewish culture a visual dimension.
Kalman Bland synthesizes evidence from medieval Jewish
philosophy, mysticism, poetry, biblical commentaries, travelogues,
and law, concluding that premodern Jewish intellectuals held a
positive, liberal understanding of the Second Commandment and did,
in fact, articulate a certain Jewish aesthetic. He draws on this
insight to consider modern ideas of Jewish art, revealing how they
are inextricably linked to diverse notions about modern Jewish
identity that are themselves entwined with arguments over Zionism,
integration, and anti-Semitism.
Through its use of the past to illuminate the present and its
analysis of how the present informs our readings of the past, this
book establishes a new assessment of Jewish aesthetic theory rooted
in historical analysis. Authoritative and original in its
identification of authentic Jewish traditions of painting,
sculpture, and architecture, this volume will ripple the waters of
several disciplines, including Jewish studies, art history,
medieval and modern history, and philosophy.
General
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