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Folk Theatres of North India - Contestation, Amalgamation and Transference (Hardcover)
Loot Price: R3,877
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Folk Theatres of North India - Contestation, Amalgamation and Transference (Hardcover)
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This book examines folk theatres of North India as a unique
performative structure, a counter stream to the postulations of
Sanskrit and Western realistic theatre. In focusing on their
historical, social and cultural imprints, it explores how these
theatres challenge the linearity of cultural history and subvert
cultural hegemony. The book looks at diverse forms of theatre such
as svangs, nautanki, tamasha, all with conventions like open
performative space, free mingling of spectators and actors,
flexibility in roles and genres, etc. It discusses the genesis,
history and the independent trajectory of folk theatres; folk
theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical
space as performance besides investigating causes, inter-relations
within socio-cultural factors, and the performance principles
underlying them. It shows how these theatres effectively contest
delimitation of human creative impulses (as revealed in classical
Sanskrit theatre) from structuring as also of normative impulses of
religion and culture, while amalgamating influences from Western
theatre, newly-rising religious reform movements of 19th century
India, tantra and Bhakti. It further highlights their ability to
adapt and reinvent themselves in accordance with spatial and
temporal transformations to constitute an important anthropological
layer of Indian society. Comprehensive and empirically rich, this
book will be an essential read for scholars and researchers of
cultural studies, theatre, film and performance studies, sociology,
political studies, popular culture, and South Asian studies.
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