Vision and Difference, published in 1988, is one of the most
significant works in feminist visual culture arguing that feminist
art history of is a political as well as academic endeavour.
Pollock expresses how images are key to the construction of sexual
difference, both in visual culture and in broader societal
experiences. Her argument places feminist theory at the centre of
art history, proffering the idea that a feminist understanding of
art history is an analysis of art history itself. This text remains
key not only to understand feminine art historically but to grasp
strategies for representation in the future and adding to its
contemporary value.
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