One of the elements that many readers admire in Kierkegaard's skill
as a writer is his ability to create different voices and
perspectives in his works. Instead of unilaterally presenting
clear-cut doctrines and theses, he confronts the reader with a
range of personalities and figures who all espouse different views.
One important aspect of this play of perspectives is Kierkegaard's
controversial use of pseudonyms. The present volume is dedicated to
exploring the different pseudonyms and authorial voices in
Kierkegaard's writing. The articles featured here try to explore
each pseudonymous author as a literary figure and to explain what
kind of a person is at issue in each of the pseudonymous works. The
hope is that by taking seriously each of these figures as
individuals, we will be able to gain new insights into the texts
which they are ostensibly responsible for.
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