Essays examining representations of disaster in German and
international contexts, exploring the nexus between disruption and
recovery through narrative from the eighteenth century to the
present. Destroying human habitat and taking human lives,
disasters, be they natural, man-made, or a combination, threaten
large populations, even entire nations and societies. They also
disrupt the existing order and cause discontinuity in our sense of
self and our perceptions of the world. To restore order, not only
must human beings be rescued and affected areas rebuilt, but the
reality of the catastrophe must also be transformed into narrative.
The essays in this collection examine representations of disaster
in literature, film, and mass media in German and international
contexts, exploring the nexus between disruption and recovery
through narrative from the eighteenth century to the present.
Topics include the Lisbon earthquake, the Paris Commune, the
Hamburg and Dresden fire-bombings in the Second World War, nuclear
disasters in Alexander Kluge's films, the filmic aesthetics of
catastrophe, Yoko Tawada's lectures on the Fukushima disaster and
Christa Wolf's novel Stoerfall in light of that same disaster,
Joseph Haslinger and the tsunami of 2004, traditions regarding
avalanche disaster in the Tyrol, and the problems and implications
of defining disaster. Contributors: Carol Anne Costabile-Heming,
Yasemin Dayioglu-Yucel, Janine Hartman, Jan Hinrichsen, Claudia
Jerzak, Lars Koch, Franz Mauelshagen, Tanja Nusser, Torsten
Pflugmacher, Christoph Weber. Katharina Gerstenberger is Professor
and Chair of the Department of Languages and Literature at the
University of Utah. Tanja Nusser is DAAD Visiting Associate
Professor of German at the University of Cincinnati.
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