Offering a variety of perspectives on the history and role of Arab
Shakespeare translation, production, adaptation and criticism, this
volume explores both international and locally focused Arab/ic
appropriations of Shakespeare's plays and sonnets. In addition to
Egyptian and Palestinian theatre, the contributors to this
collection examine everything from an Omani performance in Qatar
and an Upper Egyptian television series to the origin of the
sonnets to an English-language novel about the Lebanese civil war.
Addressing materials produced in several languages from literary
Arabic (fusha) and Egyptian colloquial Arabic ('ammiyya) to Swedish
and French, these scholars and translators vary in discipline and
origin, and together exhibit the diversity and vibrancy of this
field.
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