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Courtier's Mirror - Cultivating Elite Identity in Thomasin von Zerclaere's Welscher Gast (Paperback)
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Courtier's Mirror - Cultivating Elite Identity in Thomasin von Zerclaere's Welscher Gast (Paperback)
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A Courtier's Mirror establishes the unique importance of Thomasin
von Zerclaere's Welscher Gast as a document of social practices and
concerns in medieval German-speaking court society. This
epic-length illustrated didactic poem enjoyed immense popularity in
the Middle Ages, resulting in twenty-five redactions produced over
two hundred and fifty years. Through a detailed study of word and
image, Kathryn Starkey argues that this poem offered instruction,
affirmation, and an evolving image cycle in which courtly behaviors
were effectively conveyed. As the first book-length study in
English, A Courtier's Mirror not only provides a framework for
understanding the Welscher Gast and its images, but further
explores the rich manuscript reception of the poem and the careful
cultivation of a distinct elite identity. Throughout its continued
popularity, Starkey argues that the illustrated poem participates
in the construction of elite secular identity for an audience that
was concerned with distinguishing itself socially and emancipating
itself from clerical society. As its audience shifts from rural
ministerial family to urban burgher, so the staging of the poem
also changes. Starkey selects redactions to show that while the
text received only minor revisions over the years, the extensive
illumination program and the poem's formatting changed
significantly and with deliberate intent. She identifies the 1340
Gotha redaction as the most striking example of a redesigned and
expanded image cycle intended to convey models of courtly behavior.
Starkey places this manuscript, in particular, in its historical
context and convincingly argues for its special place within the
reception of Der Welsche Gast. Supported by extensive appendices
and a full set of color illustrations of the Gotha manuscript, as
well as select illustrations from other manuscripts, A Courtier's
Mirror presents vital new research on the complexity of the
interrelation of text and image. As such, it will be of interest to
scholars of medieval studies, art history, manuscript illustration,
and the history of the book.
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