Fictional depictions of intermarriage can illuminate perceptions of
both 'ethnicity' and 'whiteness' at any given historical moment.
Popular examples such as Lucy and Ricky in I Love Lucy (1951-1957),
Joanna and John in Guess Who's Coming to Dinner (1967), Toula and
Ian in My Big Fat Greek Wedding (2002) helped raise questions about
national identity: does 'American' mean 'white' or a blending of
ethnicities? Building on previous studies by scholars of
intermarriage and identity, this study is an ambitious endeavor to
discern the ways in which literature and films from the 1960s
through 2000s rework nineteenth- and early-twentieth-century
intermarriage tropes. Unlike earlier stories, these narratives
position the white partner as the 'other' and serve as useful
frameworks for assessing ethnic and American identity. Lauren S.
Cardon sheds new light on ethno-racial solidarity and the
assimilation of different ethnicities into American dominant
culture.
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