This work examines the experiences of African Americans under
the law and how African American culture has fostered a rich
tradition of legal criticism. Moving between novels, music, and
visual culture, the essays present race as a significant factor
within legal discourse. Essays examine rights and sovereignty,
violence and the law, and cultural ownership through the lens of
African American culture. The volume argues that law must
understand the effects of particular decisions and doctrines on
African American life and culture and explores the ways in which
African American cultural production has been largely centered on a
critique of law.
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