Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800
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Rubens, Vel-uez, and the King of Spain (Hardcover, New Ed)
Loot Price: R4,180
Discovery Miles 41 800
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Rubens, Vel-uez, and the King of Spain (Hardcover, New Ed)
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This study provides a new analysis of the pictorial ensemble of the
Torre de la Parada, the hunting lodge of King Philip IV of Spain.
Created in the late 1630s by a group of artists led by Peter Paul
Rubens, this cycle of mythological imagery and hunting scenes was
completed by Diego Velazquez. Despite the lack of a written
program, surviving works provide eloquent testimony of several
basic themes that embody neo-Stoic ideals of self-restraint and
prudent governance. While Rubens set the moral tone through his
serio-comic Ovidian narratives, Velazquez added an important grace
note with his portraits of ancient philosophers, and royals and
fools of the court. This study is the first to consider in depth
their joint artistic contributions and shared ambition. Through
analysis of individual works, the authors situate these pictorial
inventions within broader intellectual currents in both Spanish
Flanders and Spain, especially in the advice literature and drama
presented to the Spanish king. Moreover, they point to the lasting
resonance of Torre de la Parada for Velazquez, especially within
his late masterworks, Las Meninas and The Spinners. Ultimately,
this study illuminates the dialogical nature of this ensemble in
which Rubens and Velazquez offer a set of complementary views on
subjects ranging from the nature of classical gods to the role of
art as a mirror of the prince."
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