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Experiments in Exile - C. L. R. James, Helio Oiticica, and the Aesthetic Sociality of Blackness (Hardcover)
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Experiments in Exile - C. L. R. James, Helio Oiticica, and the Aesthetic Sociality of Blackness (Hardcover)
Series: Commonalities
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Comparing the radical aesthetic and social experiments undertaken
by two exile intellectuals, Experiments in Exile charts a desire in
their work to formulate alternative theories of citizenship,
wherein common reception of popular cultural forms is linked to a
potentially expanded, non-exclusive polity. By carefully analyzing
the materiality of the multiply-lined, multiply voiced writing of
the "undocuments" that record these social experiments and relay
their prophetic descriptions of and instructions for the new social
worlds they wished to forge and inhabit, however, it argues that
their projects ultimately challenge rather than seek to
rehabilitate normative conceptions of citizens and polities as well
as authors and artworks. James and Oiticica's experiments recall
the insurgent sociality of "the motley crew" historians Peter
Linebaugh and Marcus Rediker describe in The Many-Headed Hydra,
their study of the trans-Atlantic, cross-gendered, multi-racial
working class of the seventeenth and eighteenth centuries. Reading
James's and Oiticica's projects against the grain of Linebaugh and
Rediker's inability to find evidence of that sociality's
persistence or futurity, it shows how James and Oiticica gravitate
toward and seek to relay the ongoing renewal of dissident,
dissonant social forms, which are for them always also aesthetic
forms, in the barrack-yards of Port-of-Spain and the favelas of Rio
de Janeiro, the assembly lines of Detroit and the streets of the
New York. The formal openness and performative multiplicity that
manifests itself at the place where writing and organizing converge
invokes that sociality and provokes its ongoing re-invention. Their
writing extends a radical, collective Afro-diasporic
intellectuality, an aesthetic sociality of blackness, where
blackness is understood not as the eclipse, but the ongoing
transformative conservation of the motley crew's multi-raciality.
Blackness is further instantiated in the interracial and queer
sexual relations, and in a new sexual metaphorics of production and
reproduction, whose disruption and reconfiguration of gender
structures the collaborations from which James's and Oiticica's
undocuments emerge, orienting them towards new forms of social,
aesthetic and intellectual life.
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