How do we experience theatre through film? Laura Sava critically
engages with the filmic representation of theatre, focusing on a
selection of art house and independent films which provide a
sophisticated commentary on the interaction between the two media.
Through an in-depth analysis of films such as Jacques Rivette's
L'Amour fou, Pedro Almodovar's All About My Mother and Charlie
Kaufman's Synecdoche, New York, this book analyses the embedment of
theatre in film and the notion of spectatorial address. Using
textual analysis in conjunction with concepts derived from
narratology, performance philosophy, and film and theatre
phenomenology, it explores the mechanisms of representation
involved in the intermedial diegetisation of theatre in film.
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