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British Women Composers and Instrumental Chamber Music in the Early Twentieth Century (Paperback)
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British Women Composers and Instrumental Chamber Music in the Early Twentieth Century (Paperback)
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This is the first full-length study of British women's instrumental
chamber music in the early twentieth century. Laura Seddon argues
that the Cobbett competitions, instigated by Walter Willson Cobbett
in 1905, and the formation of the Society of Women Musicians in
1911 contributed to the explosion of instrumental music written by
women in this period and highlighted women's place in British
musical society in the years leading up to and during the First
World War. Seddon investigates the relationship between Cobbett,
the Society of Women Musicians and women composers themselves. The
book's six case studies - of Adela Maddison (1866-1929), Ethel
Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns
(1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk
(1880-1962) - offer valuable insight into the women's musical
education and compositional careers. Seddon's discussion of their
chamber works for differing instrumental combinations includes an
exploration of formal procedures, an issue much discussed by
contemporary sources. The individual composers' reactions to the
debate instigated by the Society of Women Musicians, on the future
of women's music, is considered in relation to their lives, careers
and the chamber music itself. As the composers in this study were
not a cohesive group, creatively or ideologically, the book draws
on primary sources, as well as the writings of contemporary
commentators, to assess the legacy of the chamber works produced.
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