Brian De Palma (b. 1940) isn't your average Hollywood
director.
For years he reigned as the "master of the macabre," the man who
massacred the class of '76 in "Carrie" and stalked Angie Dickinson
in "Dressed to Kill." By the mid-1980s De Palma found himself
assaulting his audience and critics, daring them to watch a
chainsaw enter a man's skull in "Scarface" and a power drill
disembowel a defenseless woman in "Body Double."
What drove De Palma to such extremes? In the late 1960s, he
wanted to be the next Jean-Luc Godard and revolutionize American
cinema. Instead, he found himself ostracized when Warner Bros.
removed him from "Get to Know Your Rabbit," his first Hollywood
feature. De Palma sought the refuge of Alfred Hitchcock until the
late 1970s ("Sisters," "Obsession"), when his surreal approach to
horror became a genre unto itself ("Carrie," "The Fury," "Dressed
to Kill"). Ironically, just as De Palma achieved the success that
his fellow Movie Brats George Lucas, Martin Scorsese, and Steven
Spielberg had enjoyed since the mid-1970s, he could not hide his
resentment toward Hollywood. After battling with the MPAA in the
1980s, he gradually became part of the mainstream with the success
of "The Untouchables" and "Mission: Impossible," although he never
suppressed his desire to make audiences aware of his camera-eye and
his dark, penetrating worldview.
"Brian De Palma: Interviews" follows De Palma's fortunes as he
makes the difficult transition from underground filmmaker to
celebrity auteur. In profiles and q&a interviews, he emerges as
a fascinating figure of excess and ambivalence. De Palma is not
afraid to share his opinions about censorship, violence, feminism,
American culture, and the fate of cinema in the twenty-first
century.
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